Wednesday, April 27, 2011

If I Do Not See You - Anna Akhmatova

I cannot get enough of Anna Akhmatova's poetry. For some reason, the poem below reminded me of Emmanuel Levinas. I beg your apologies for any errors or misconceptions about Levinas' philosophy (it's been at least 7 years since I read Levinas), but the imagery of the poem reminded me of how humans yearn for the Other - that One cannot Be without the Other. However, no matter how strong that desire for the Other, One cannot have him/her fully, on account of the radical difference of that Other.

In the poem below, the yearning for the Other led to nothing but pain and suffering. The humor lies in that, with or without the Other, the Speaker cannot Be.

If I Do Not See You

If I do not see you –
I feel: minutes, as centuries, are endless.
If I once had seen you –
Again suffers a heart’s wound, so merciless.
If I do not see you –
I am winded with frost and with darkness.
If I once had seen you –
Seared by something, with boiled pitch in likeness.

If I want to see you –
Angels’ hands will convey me to Heaven.
If I once had seen you –
To the tortures of Hell I am given.
And my peace is a loss:
Without you or with you – it’s in ruins:
I’m not got by the earth,
And repelled by the heavenly blueness.

Friday, April 22, 2011

Poem IX (Drunk as Drunk) - Pablo Neruda

With so much time now on my hands, I've reawakened my old addiction for poetry. I'm surprised that it took me this long to get to Señor Pablo Neruda, who is certainly one of the most romantic poets. I prefer the lyricism of the Spanish texts, but the English translations are just as lovely.

This one evokes the languid romance of a hot summer's day by the beach.

Poem IX

Ebrio de trementina y largos besos,
estival, el velero de las rosas dirijo,
torcido hacia la muerte del delgado día,
cimentado en el sólido frenesí marino.

Pálido y amarrado a mi agua devorante
cruzo en el agrio olor del clima descubierto,
aún vestido de gris y sonidos amargos,
y una cimera triste de abandonada espuma.

Voy, duro de pasiones, montado en mi ola única,
lunar, solar, ardiente y frío, repentino,
dormido en la garganta de las afortunadas
islas blancas y dulces como caderas frescas.

Tiembla en la noche húmeda mi vestido de besos
locamente cargado de eléctricas gestiones,
de modo heroico dividido en sueños
y embriagadoras rosas practicándose en mí.

Aguas arriba, en medio de las olas externas,
tu paralelo cuerpo se sujeta en mis brazos
como un pez infinitamente pegado a mi alma
rápido y lento en la energía subceleste.

(In English)
Drunk as drunk on turpentine
From your open kisses,
Your wet body wedged
Between my wet body and the strake
Of our boat that is made out of flowers,
Feasted, we guide it - our fingers
Like tallows adorned with yellow metal -
Over the sky's hot rim,
The day's last breath in our sails.

Pinned by the sun between solstice
And equinox, drowsy and tangled together
We drifted for months and woke
With the bitter taste of land on our lips,
Eyelids all sticky, and we longed for lime
And the sound of a rope
Lowering a bucket down its well. Then,
We came by night to the Fortunate Isles, And lay like fish
Under the net of our kisses.

Thursday, April 21, 2011

Mad Girl's Love Song - Sylvia Plath

Poetry never ceases to amaze me - how a handful of lines can hold a whole world of emotions. The poem below is one such example.

Sylvia Plath is Queen of Pain. In the poem below, the pain of betrayal is juxtaposed with the speaker's anger in such palpable yet beautiful imagery. Indeed, love is bittersweet. I've always found myself able to relate to Ms. Plath's works, and this one is no exception.

Mad Girl's Love Song

"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"

Wednesday, April 20, 2011

You Will Hear Thunder - Anna Akhmatova

After my stint in "Zombieland", I've been rediscovering my love for the written word - prose and poetry alike. The goal is to finish at least 20 novels for the year. I've already read 6.

My friend Q told me about the poem below by Russian poet Anna Akhmatova. He told me that it reminded him of me. What I like about the poem is the mixture of raw emotion and strength in the imagery.

Q, thank you for directing me to this treasure.


You Will Hear Thunder ~ Anna Akhmatova

You will hear thunder and remember me,

And think: she wanted storms. The rim

Of the sky will be the color of hard crimson,

And your heart, as it was then, will be on fire.


That day in Moscow, it will all come true,

when, for the last time, I take my leave,

And hasten to the heights that I have longed for,

Leaving my shadow still to be with you.


In Russian:

Услышишь гром и вспомнишь обо мне,
Подумаешь: она грозы желала…
Полоска неба будет твердо-алой,
А сердце будет как тогда - в огне.
Случится это в тот московский день,
Когда я город навсегда покину
И устремлюсь к желанному притину,
Свою меж вас еще оставив тень.


Sunday, July 18, 2010

Inception

La vida es sueño.

The divide between dreams and reality has been a staple theme in fiction for centuries now, and it takes a very imaginative writer(/director) to be able to weave a fresh tale using this theme. Kudos to Christopher Nolan, for he never fails to amaze, entertain, and make you think.

Inception is certainly not a film for everyone. It’s certainly not for those who are seeking merely to be entertained. It is also not for those with short attention spans, for it is surprisingly fast-paced for something so complex.

The thesis is simple enough: ideas are the most dangerous things in the planet, for once they take hold of your mind, ideas stay there and consume you. Thus, the ability to be able to plant an idea into someone else’s mind, which is called inception, is a powerful tool – and this is what Leonardo DiCaprio’s character is attempting to do. How to do it: through dreams, by implanting the idea into the subject’s subconscious.

The rest is pure storytelling genius.

I will keep this as spoiler-free as possible, but suffice it to say that there are layers upon layers of stories in this film. From the very beginning, the audience is wondering where reality ends and the dreams begin. And indeed, this is a question that drives the film right until its last second.

The power to be able to engineer whole worlds, where we are gods, is quite tempting. To live entire lifetimes in a dream is a very nice thought. But to suddenly wake up, to be dragged away from that fantasy world, is most certainly painful. And some people choose to dream, while others believe that death is the only escape.

True, some themes are vaguely reminiscent of The Matrix films. However what was refreshing about this film was that it stayed relatively simple – no kilometric philosophical dialogues/monologues on the meaning of life and the allure of dreams, for the film is rich enough as it is. And there is also enough action to pique the interest of adrenaline-junkies.

Friday, May 7, 2010

Morning by Conchitina Cruz

This is a beautiful poem that was shared to me by my friend E. The author was E's professor back in college. For some reason, it reminds me of that line in Vicky Cristina Barcelona, that only unfulfilled love can be romantic.

Morning by Conchitina Cruz

You never know when somebody will walk away from you on a bright day on a busy street, never looking back and

you cannot believe the slow disappearance, cannot believe what is moving away from your reach until the busy street no longer needs its presence to look the same, because it is the same.

And the city offers you its fruits and fish, and the churchgoers lift their veils as they step out in the open

and you know the picture is incomplete but it can stand for itself

and who are you to ask for more, who are you to insist on hunger?


Monday, April 19, 2010

Bill O'Reilly: Theology makes Catholic Church what it is

Bill O'Reilly: Theology makes Catholic Church what it is

He may not be the most agreeable person in the world, and I certainly can't stand his political views, but I agree with his views on this matter 100%. Indeed, one cannot judge a whole institution based on a couple of miscreants. As the priest said in his homily yesterday afternoon, the Catholic Church is one of the few institutions that can pride itself for remaining true to the teachings of Christ. And for this reason, I will remain faithful to my church.

This is not to say that I condone the abuses committed by some members of the clergy. I believe that they should be prosecuted and, when convicted, be held accountable for their actions. But to condemn the entire Church, and to renounce one's faith, based on these individuals is both absurd and illogical. It would be tantamount to renouncing one's citizenship on the basis of the crimes committed by one's head of state.